Our ape man has appeared in magazines, novels, comic books, movies, radio, cartoons, and television shows, all with varying degrees of success. The panoramic vistas help to give the film a sense of epic adventure, even if the adventures we witness never attain the grandeur of other epic film tales due to its script. Both are gorgeous human specimens who fortunately can act, even if the dialog that they are given by screenwriters Adam Cozad and Craig Brewer, is banal and stilted. All in all, the initial story line remains intriguing, the action sequences entertain, and Mr. On the plus side, the fluid camera-work by Henry Braham has an acrobatic energy, especially as Tarzan travels from vine to vine, the best part of the cinematic experience. This Tarzan mixes the physicality and brutishness of Stanley Kowalski with the sophistication and aplomb of a true noble gentleman, no small feat. If only the film matched his interpretation also. Given strong support is Samuel L.
Except for the primates, most of the animal kingdom is obviously the results of CGI, effective but slightly unreal and unsatisfying. David Yates directs his film solidly, keeping the action moving. The panoramic vistas help to give the film a sense of epic adventure, even if the adventures we witness never attain the grandeur of other epic film tales due to its script. Tarzan discovers man's cruelty in the form of Belgian huntsman, Leon Rom a typecast Christoph Waltz, playing, what else, but the villain. Told in flashbacks, we learn of an infant left in the jungle without parents and adopted by the great apes. There have been many incarnations of the Tarzan legend, starting with Edgar Rice Burroughs original novel, Tarzan of the Apes. There is a nice chemistry between the two leads, although their beauty reminds us too often of an Abercrombie and Fitch ad. Mark Day's fine editing enhances the effect. Visit my blog at: If only the film matched his interpretation also. Was this review helpful to you? Whereupon Tarzan must takes sides to protect his adopted tribe of primates and protect his homeland. None of the characters are remotely real or believable, but the roles are well cast. However he does bring some interesting human quirks to the part. No "Me Tarzan, you Jane" monosyllabic banter here, and no loincloth either. The special effects aren't that special either. This man-made jungle is just too pristine, so clean and sanitized just like its story. The story adheres to its source and follows the basic outline of Burrough's novel. Having difficulty readjusting to British society, he finds a comrade in the beautiful Jane Porter a beguiling Margot Robbie. The Legend of Tarzan is all too proper and seriously-minded which cuts down on the fun and adventure. Our ape man has appeared in magazines, novels, comic books, movies, radio, cartoons, and television shows, all with varying degrees of success. Nice moment with the silverware arrangement, Christoph. Still the actor brings much needed bravado and is amusing in his role. All in all, the initial story line remains intriguing, the action sequences entertain, and Mr. Both are gorgeous human specimens who fortunately can act, even if the dialog that they are given by screenwriters Adam Cozad and Craig Brewer, is banal and stilted. Jackson as the real life George Washington Williams, a political activist and do-gooder, but his character, as written, speaks in anachronistic modern day jargon.
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