Sex televisions blogs

It is perhaps no surprise that Geraghty focuses on a wide spectrum of drama given her pioneering research on soap opera and indeed the second issue she often highlights in relation to current scholarly work around quality television is that it fails to look at historical precedent within other genres when proclaiming certain techniques as new and innovative: Whether by design or default, the discourse of quality television revolves around male authors, characters and premium cable channels leaving the distinctive voice of Callie Khouri for example, and the female-dominated world of country music she has created for ABC, in the shadows. In the late s, executives at HBO gave veteran TV scribe Tom Fontana a blank check to create a dark, violent, virtually unmarketable show about an experimental wing of a maximum-security prison. The final list of possible beneficiaries came down to two people: Behind the Scenes of a Creative Revolution: Second is the dominance of male voices and masculinity both within those programmes that have been elevated to canon status and the surrounding media discourse which has served to either ignore or diminish the contribution of women or female-centred programming to the revolution.

Sex televisions blogs


I want to finish therefore by pondering further this notion of an alternative history of quality TV and of what comes next. I was thinking, you know — I could be the secretary or I could be Hoover. Holzman had a pitch about a female executive; Chase had a pitch about a gangster. Whether by design or default, the discourse of quality television revolves around male authors, characters and premium cable channels leaving the distinctive voice of Callie Khouri for example, and the female-dominated world of country music she has created for ABC, in the shadows. Second is the dominance of male voices and masculinity both within those programmes that have been elevated to canon status and the surrounding media discourse which has served to either ignore or diminish the contribution of women or female-centred programming to the revolution. The final list of possible beneficiaries came down to two people: It drives me mad. Imagine if the show had focused on a powerful woman rather than a powerful man, a businessperson rather than a murderer, a potential hero rather than the anti-hero who begat a thousand sons from Vic Mackey to Ray Donovan. In the late s, executives at HBO gave veteran TV scribe Tom Fontana a blank check to create a dark, violent, virtually unmarketable show about an experimental wing of a maximum-security prison. Perhaps complex female voices both on and off screen broadcast on cable and free-to-air television is the future. First, the so-called creative revolution from the late s onwards that has occurred in US cable television and resulted in what many believe to be a golden age of programming. Writing on the power of the commissioning process, she looks at one moment where a pitch from the successful writer and showrunner Winnie Holzman was rejected at a crucial moment in the last decade. It is perhaps no surprise that Geraghty focuses on a wide spectrum of drama given her pioneering research on soap opera and indeed the second issue she often highlights in relation to current scholarly work around quality television is that it fails to look at historical precedent within other genres when proclaiming certain techniques as new and innovative: What if HBO — a network that currently has a single series on air with a female showrunner and only one in development — had put their revolution in the hands of a woman? Although written by two men, the character of Mathison was created with Danes in mind and there is no doubt that her performance is integral to the success of the series and complexity of the character. Behind the Scenes of a Creative Revolution: We all know how that shook out.

Sex televisions blogs


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4 thoughts on “Sex televisions blogs

  1. Dimuro

    Second is the dominance of male voices and masculinity both within those programmes that have been elevated to canon status and the surrounding media discourse which has served to either ignore or diminish the contribution of women or female-centred programming to the revolution. Imagine if the show had focused on a powerful woman rather than a powerful man, a businessperson rather than a murderer, a potential hero rather than the anti-hero who begat a thousand sons from Vic Mackey to Ray Donovan.

    Reply
  2. Yozshudal

    Whether by design or default, the discourse of quality television revolves around male authors, characters and premium cable channels leaving the distinctive voice of Callie Khouri for example, and the female-dominated world of country music she has created for ABC, in the shadows.

    Reply
  3. Dujin

    Behind the Scenes of a Creative Revolution: Although written by two men, the character of Mathison was created with Danes in mind and there is no doubt that her performance is integral to the success of the series and complexity of the character.

    Reply
  4. Tukree

    First, the so-called creative revolution from the late s onwards that has occurred in US cable television and resulted in what many believe to be a golden age of programming.

    Reply

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