When I shot this photo, I told my client to look wistfully up, as if you are looking toward an open window. It's similar to layering stacks of filters on a camera like the photographers did in the film days and tweaking the development in the darkroom. AFTER In the final image to the left, I added a dark shadowy layer to the photo and just erased part of it with a brush with varying levels of size and opacity to give the effect of light rays cutting through a smoky, dark room. But I just know that the shot I want to capture will be cherry with just a little more sun glow and darker, richer shadows. The filmmaker actually applies the lighting effects on a separate layer of the film and can add or detract the effect per his vision.
This is the same technique that I apply in my post-process editing stage. It is a lovely pose, but maybe not a "seller" for me. I shoot the scene "as is", knowing that I will take that image into my digital darkroom and develop it to meet my vision of what the scene should look like, or -- with a little imagination -- could look like. It looks as if it's being filmed as a daytime soap with no character or personality. BEFORE I gave the photo a low key lighting effect, changed the light blending mode, boosted up the reds, and brought in a dark glow to give the photo an air of eeriness, appropriate for a cemetery. The filmmaker actually applies the lighting effects on a separate layer of the film and can add or detract the effect per his vision. Sometimes a picture is worth a thousand words. It is a well-exposed image that just lacks atmosphere and interest. I had the idea of making this shot dark and shadowy with the effect of a few light rays cutting in through a window, dappling the subject in light. Later, when you actually see the movie in the theater, it is bursting with color and rich, deep shadows with a delicious atmosphere. As a travel photographer, that scenario happens on a regular basis. BEFORE Have you ever watched a movie being filmed and are surprised at how brightly lit or lackluster the ambiance is? Wait for the light or create the light? Ever been in the right place at the wrong time? Look at the photo on the right in the "before" stage. Now, we have a work of art. I rarely show a client the pictures in my camera at the shoot. It's similar to layering stacks of filters on a camera like the photographers did in the film days and tweaking the development in the darkroom. Mood Lighting When I try to explain to clients that I shoot in RAW format so that I can have total control over the editing and processing of an image, most of the time, I'm met with blank stares. When I shot this photo, I told my client to look wistfully up, as if you are looking toward an open window. However, what sets my style of photography apart from other, even more experienced, photographers, is a high emphasis on post-processing and creating special effects to a otherwise "not so special" photograph. In the post-processing stage of photography, the typical photographer may adjust the contrast or sharpen the details of the photo, maybe even touch up a zit or two. I was with a photography group and had wandered off to take a few photos before the shoot began and had to get back to the group for the start of the shoot. Now we have a photo that matches my vision and is much more appealing to the client. Sometimes, I'm on a busy schedule and can't linger another 45 minutes to catch the right angle of the sun, or wait for that big rain cloud to move away. Secondly, I know what I am looking for as a photographer, and I know from experience what is a workable photo when I review it in the camera while taking the shots. What makes me different than other photographers is that I see the completed "picture" in my mind's eye, even in less than perfect conditions.
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